In September 2011a storage box full of plastic toy animals was placed in my studio. The box of toys was found in a skip and the finder thought I'd make good use of them as I often include toys in my work.....he wasn't wrong.
I'm never sure, when I start a piece of work, how it will turn out, if at all, each piece is a journey.
A friend invited me to go to a local auction where I bought a couple of large Victorian glass domes. They sat in my studio for several months whilst I continued painting the animals until one day I decided to fill one of the domes with the animals and thus Glut was made.
I chose the title Glut, a word defined as 'an excessively abundant supply of something', as it plays upon the Victorians excessive killing of birds and animals for use in decorative vitrines for the home and our 21st century fashion for excessive abuse of natural resources to to make plastic toy animals that end up in landfill.
Rossendale Museum kindly allowed me to photograph Glut in their Victorian Drawing Room.
GLUT
I remember reading somewhere that Marcel Duchamp's bicycle wheel sat around in his studio for years before he picked it up and did something with it. We all have 'stuff' lying around in our studios (and homes!) just waiting for something creative to happen. Your work here illustrates the point nicely. Best of all, the work takes on a whole new life when placed in the Victorian environment and gives something to the environment it sits in.
ReplyDelete